Happenings in Bangalore on new year 2017 - a perspective

I am appalled at the recent incidents in Bangalore and New Delhi – where the mob took a new meaning for celebration and enjoyment. I am at a loss of words for the direction we are all headed. It has been apathy of the women or the females to be at the receiving end when the male tries to show his superiority. I heard something similar or even more derogatory sometime earlier – “What happened to us”.

Interestingly I had been pondering over this situation since late December 2016 when I read Amrita Pritam’s Pinjar. I happened to watch Chandraprakash Dwivedi’s movie Pinjar as well. The transformation from Puro to Hamida was enough for me to understand the cruelties that the females withered for the alpha male. However, what we easily forgot was the transformation of the same Hamida into a tigress when another girl – “Lajo” was kidnapped in similar circumstances. Hamida or Puro made sure that Lajo does not goes through the same scenarios like her. Even when Puro chooses to lead her life as Hamid, she would not let any Lajo to undergo the similar transformations as herself.

This to me is a great of Women Empowerment. In Pinjar the great turn in Puro was brought out by Rashid Lala – the guy who abducted her. In modern families 99% of time the role is played by the husband.

Here’s a message for both the females and the males – Suffering / exertion of one’s power over the other has been a natural truth. Domination and castigation of the other sex is more common when the alpha male tries to steer its head up. Per the vedic understanding, the female form represents the physical aspects and hence the atrocities are mainly hurled at the physical abilities.

Many modern-day efforts are geared towards justice when the atrocities towards the female have happened. Consider a NGO or what the term qualifies them – “Naari Mukti Morcha”. Whether modern or mideaval, there has been a great emphasis from time to time about the contributions made by women to society, science and art The need today, is for the organization to raise an awareness about the completeness the female form provides. The need is for the alpha male to realize that he is alpha because there is a female to acknowledge the same. The need is for the “Naari Mukti Morcha” not from the claws of the male form but from the confines the form defines for itself.

The dharma is to understand this very instinct of the human being and control it. Whether it’s the male or the female oppressing each other would deprive us of development of an important aspect of mind. This is exactly what Vyasa agonized in his last few verses of Mahabharata.

I wish we understand our part and do the needful. The female is not weak, nor are males any superior. The males have not been endowed differently than the female. The nature has called for coexistence. And coexistence doesn’t come at a price of one. Let’s promise to ourselves to stop this brutality of sexes and work towards a congenial world for everyone to coexist – probably thrive.

Vyasa's agony - Continued

In my previous article - "Vyasa's agony", we saw that even at the end of a great epic, a great composition, the composer himself is not happy and is frustrated.

Why is this happening? We saw a few arguments in my last post. Let's try to probe further.

Think, when you take up a daunting task or any challenge. And then you work hard and take the efforts to the completion of the task. How do you feel? Satisfied? Happy to have completed the challenge?

But in the case of Mahabharata, Vyasa is neither happy nor satisfied. A composer, having composed a great verse is still not satisfied - and has something more to tell? What could it be?

The answer lies in the name of the composition itself - "Jaya". The composition was cleverly named as Jaya or the victory, without signifying over what or over whom. Almost every story within the great epic, depicts the clash of ideologies within the minds of the characters. Shouldn't it be safe to assume, that the story is about one's victory over self?

It is said, that the Mahabharata takes the teachings from the Veda's to a next level. One of the central ideas of the Vedas is that the "Dharma" or the principle of life is to overcome one's inherent inclination towards the animal instincts. As we saw that the first incarnation of Vishnu is suggested to be the “Matsya Avatar” or the fish. The fish signifies the food chain wherein the larger fish eats the smaller fish for itself to grow or sustain. At the same time, the growth of fish signifies the ever-growing lust for property. Vishnu tries to tell Manu through this story that there is no concept of a property or belonging in nature. It is but natural that the things will continue to grow and take their own course with or without your intervention. Thus, the law of the jungle is the law of the nature – no concept of property and law of survival. However, the human mind or the creation is superior to the rest of the creation. It can think and empathize with the others. It has the capability to understand its own needs and the needs of the others. The “Dharma” thus is the understanding of your own and others’ needs and act accordingly. The “dharma” as described in the Vedas teaches the humans to empathize about others and take appropriate steps. The Mahabharata text is seen to be blatantly violating this very principle. The Pandavas burn a forest to develop their own capital. The Kauravas snatch the kingdom from Pandavas using every possible trick, and later refuse to give away even the small bit of land. Kansa took his own father as prisoner to become the king. Drupada refused to relent to his friend Drona’s needs and called upon a bloody war.

All throughout the text Mahabharata is filled with stories wherein a simple act of caring for others could have avoided the war situation. The war termed as the war for principles or the truth or “Dharma Yudh” left both sides with losses – Kauravas lost everything, and Pandavas lost their sons. If only they could overcome their thirst for property and care for other’s needs, both the sides would have survived and flourished.

Possibly this is what Vyasa wants to tell us when he lifts his hands and cries that no one wishes to listen to him when he suggests how to live as per dharma! Today, many households refuse to keep Mahabharata in the homes and many households prohibit reading the complete text. They believe it may cause issues like separation in the family. However, I believe we are missing the very point that Vyasa wanted to emphasize – “Empathize” – follow the dharma, by caring for others.

I wish to create a world which can meet Vyasa can be proud of and can reduce his agony a little bit. Would you agree?