Skip to main content

Lakshmana Rekha – The boundary for females


For the last couple of weeks, I have been tied down to a corner due to my broken foot. I am unable to move and unable to do anything. On top of it all, the painkiller keeps me drowsy and throws me off-balance when concentrating on something important. Yet we are doing well. My family is well taken care of and the kids are happy. All thanks to my wife who stood up as a pillar on whom the household stands. True, everyone has cracked jokes at her for her being busy with her community work. I am sure that they do realize the load she carries on her shoulders of taking care of her two daughters and a grown up kid.
Last evening I was watching one of the soap-operas on the television, where the lady of the house takes it on herself to expose the bad guys all around the work place playing with the lives of their co-workers slyly. Despite of her solid plan, she failed in her attempt as the evil guys got to know of her plan somehow. The situation was then turned in such a way that the lady became the culprit and a villain to the social structure. Probably, the only folly of her plan right from inception was working alone. She had never included her family or told them about her ideas. Even the family turned against her and saw only what was shown as the situation demanded. At the same time all the evil male members walked freely laughing at the poor protagonist.
I'd like to ask, why? Why such a social structure when it comes to the females and not the males? Why do we blame only the females in cases of any untoward happening and not the male counterpart for having indicted such an indecent behavior upon the girl? A few months ago when another horrific crime against women came to the fore, nobody gave a wink. No matter what people said, at the end everyone exclaimed the girl shouldn't have had done this. Many years ago when I was in college, a few friends of mine used to have fun dancing in front of any marriage procession passing by the hostel. Encouraged by this fun activity of theirs, a few female students too joined in dancing. Guess what, a few boys from the procession tried to take advantage of the girls and later also tried to abduct them when walking alone. As common sense prevailed, the girls were reprimanded for their behavior while the boys were left alone. Poor girl students were blamed for trying to have fun even within their limits.
Many a times we forget it is the same female who is playing the role of a daughter, sister, wife, mother, sister-in-law, mother-in-law, daughter-in-law or a friend. She is the one who assumes different roles as per the demands of the situation and adapts herself so well that we have a happy household. She adapts herself and balances between the many relations that are near and dear to us. How many times do we – males – play these many different roles? I am positive a good percentage of us leave the relationship to our better halves to manage. We are so busy or pretend to be busy in playing the role of a provider to the family that we do not pay heed to the rest. Then why blame the woman?
To a good extent I blame the Lakshman from Ramayana for this apathy towards females. It was the single act of creating a "Lakshmana Rekha" and suggesting to Sita that she would be safe within the confines of the boundaries made by him. The boundary representing the captivation of the female was thus introduced to us. Ravana requested Sita to step out of the boundary and he abducted her on doing so. We all know what happened later. Even though Rama killed Ravana and Sita gave the chastity test by passing through fire, Rama exiled Sita to live in forest as her image had blemished. Creating boundaries around oneself is not natural. It is nature's tendency and the progressive path that is expands in all directions. One may try to contain it, but someday the boundaries are broken. In an artistic and even scientific notation, such a behavior is well represented by a circle. And a boundary to contain the females, restricting their growth is best represented as a square bound inside the circle. Dr Pattnaik has given a beautiful explanation of this figure and has tried to identify the female role models who try to break out of this square to expand themselves.

Comments

Popular posts from this blog

Flags and their meanings in Mahabharata

Last night I was telling the bedside story to the younger love of my life, when she asked – “How do you identify the leader of the troop in a war – particularly in a warzone where a lot of people are fighting against each other”? While I explained to her how the modern warfare works and how the generals lead the army today, I also imagined the warcraft of yesterday and started to describe the vivid imagination fueled by the magnanimity of the movies like Bahubali, Bajirao Mastani and Padmaavat. The job was simple as we both had watched the movies together. And she understood all that I told her. Yet a question from her made me fumble – Do all the warriors have a flag on their chariot, and what do they mean? In my research for the answer, I stumbled upon the information that I would like to share with you too. In the Viraat Parva of Mahabharata, Arjuna under the disguise of Brihannala plays the role of the charioteer for Prince Uttara of Virata kingdom. Under the condition

Karwa Chauth - Why does moon rise so late?

I have often wondered as to why the moon rises late on the Karwa Chauth night. It’s probably because our hungry stomachs rebel and start cursing the moon instead of praying, that slows it down! Actually on a full moon day, the moon rises exactly at the time of sunset. The moon takes 27.3 days to travel once around the earth. This is also the next full moon day. To travel 360 degrees in 27.3 days, the moon moves approx. 13 degrees towards the east every day. Thus the moon rise increases by approx. 48 min per day in relation to the sunset. On the Karva Chauth day – 4 days after the full moon day, the moon rises 48*4 = 192 min (3 hrs and 12 min) after the sunset. Now please do notice the moon rise timings everyday and see the pattern!

Ganesha - Reviving the series - 10

The series cannot be completed without mentioning the reach of Lord Ganesha to cultures outside of India. In this last post for this year’s series, I shall try to present some more lesser known facts about the spread of the Lord Ganesha’s influence in Indian and non Indian cultures. During the early medieval period, both Jains and Buddhists incorporated Ganesh into their pantheon. The Ganesha cult thus travelled with the Mahayana Buddhism to distant lands, including Burma, Thailand, Cambodia, Nepal, Tibet, China, Mongolia and Japan. Ganesha’s worship spread in all the regions rapidly. Manjangan ( Ganesha ) temple in  Bali ,  Indonesia Ganesha in Ta Prohm, Angkor For the Jains, Ganesha appears to have taken over certain functions of Kubera. The earliest reference to Ganesha in Jainism is in the Abhidhanacintamani of Hemachandra. It refers to several appelations of Lord Ganesha such as Herama, Ganavgnesa and Vinayaka and visualizes him as elephant headed, pot bellied